Jazz pianist Chihiro Yamanaka’s debut album Living Without Friday from 2001 kicks off an impressive run of releases, setting the stage with memorable originals and reinvented standards while introducing new listeners to her amazing technique and creativity.
Popular and in-demand on albums and live events, Yamanaka is based in New York and is a top representative for jazz piano from modern-day Japanese musicians. The ultra-proficient and prolific musician has been releasing new albums every year, impressively spanning a 20-year recording career with no signs of slowing down. Living Without Friday caught early attention and hinted at the potential to be unveiled through her many subsequent albums and her penchant for creative arrangements that suit her modern bop and swing jazz style.
This ten-track album contains a mix of jazz standards and several originals, including the sweet “Beverly”, the cute “Pablo’s Waltz”, and the high-energy showstopper “Living Without Friday”. The rearranged standards include a funky and chic “Girl From Ipanema” and the mystical “Balkan Tale” played in mesmerizing 5/4 time, which along with the stirring “A Sand Ship” are two highlights on the album for lyrical power. Throughout, Yamanaka’s playing is always fascinating, especially in moments where her long piano lines unspool through the music in fast, graceful streams of notes, swooping over harmonic changes like the bird soaring over the sea on the cover.
With her impeccable technique and twisty improvisations, Yamanaka’s dexterity and endurance deliver boiling excitement on uptempo tunes, yet she also has a melodic finesse used to great effect on slower ballads and subdued waltzes, all providing a great introduction to a jazz pianist offering much more to come.
Leader: Chihiro Yamanaka · 山中千尋 · http://www.chihiroyamanaka.com/
- Chihiro Yamanaka – piano
- Ray Parker – bass
- LaFrae Olivia Sci – drums
This album hit #1 on the HMV Modern Jazz Chart for four weeks after release.
* Audio sample at top of page from “”Balkan Tale”, the seventh track on the album.